The fourth chapter in the Black Liberation DUB series is definitely one of the strongest chapters. It says a thing, because in fact the whole series is in itself already of an unmatched quality.

Strange phrases by a strange person, even more strange phasers over some not-so-strange Ariwa riddims, there is no effect left untouched as we're taken from the top to the very last drop of the album.

We can hear "real instruments" and programmed material, blending together into a massive sound that takes us through many different styles of Reggae too: from militant Steppers to massive One Drops and everything in between and around.

A variety of singers drop in and out soaked in all kinds of echoings and reverberations, as they provide some food for thought. It's a balance to the many, many humorous parts of the album, one of Mad Professor's trademarks which nobody will be able to match for quite a while to come.

Not an album to leave behind, when you respect yourself as a DUB connoisseur or even "mere" collector of the better material.